开心婷婷久久六月色

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly re A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.                                                                      A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and  "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.                                                                      Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.                                                                      The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.开心婷婷久久六月色 详情

• 正片

  教科书没教的事3

  森川彩香,马场良马,本郷杏奈,百合沙,安枝瞳,石原佑里子,深井彩夏,桥元优菜

• 正片

  教科书没教的事4

  松田彩希

• HD

  草木人间

  吴磊,蒋勤勤,陈建斌,王佳佳,闫楠,吴彼,王宏伟,钱坤,鞠帛展,梁龙,五百,孙强,王川,马大智,吕星辰,陈禹同,陈佳宁,吴金鑫,杨棽,张楚文

• HD

  爱之闪电

  松冈茉优,洼田正孝,池松壮亮,若叶龙也,佐藤浩市,仲野太贺,趣里,高良健吾,Megumi,三浦贵大,芹泽兴人,笠原秀幸,若林时英,鹤见辰吾,北村有起哉,中野英雄,益冈彻,大鹰明良,佐藤贡三,佐藤贡三,Kôzô,Satô,遠山泰市,薮内大河,中野裕斗,中野裕斗,Yuto,Nakano,巻島みのり,稻川实代子,稻川实代子,Miyoko,Inagawa,前田勝,佐野弘樹,鳥井雄人,野田昌志,二見悠,古川一博,岭豪一,岭豪一,Gôichi,Mine,川村纱也,田中美晴,持田加奈子,内海诚子,内海诚子,Seiko

• 正片

  扫黑·决不放弃

  肖央,余皑磊,范丞丞,李诚儒,耿乐,杨皓宇,焦刚,石兆琪,李建义,刘欢,张艺凡,苇青,林乐炫,蒋诗萌

• 超清

  绝世战魂

  黄宥天,朱丽岚,金玄雨,赵熠洋

• 全62集

  福星高照

  内详

• 伦理

  灭火宝贝

  内详

• 伦理

  法国空姐

  内详

• 全72集

  我有五个大佬崽崽

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• 全97集

  婚姻迷城

  内详

• 伦理

  交换妻子2

  李秀,杜熙,闵瑞娥